Fullman’s work was cited by Alvin Lucier in his book Music 109: Notes on Experimental Music (Wesleyan University Press, 2012).īob Bellerue is a sound artist, experimental musician, sound/video curator, and creative technician based in Ridgewood NY. Her recordings include: Harbors (Room40 2020) a collaboration with Theresa Wong, and The Long String Instrument (Superior Viaduct, 2015) first issued on Apollo Records in 1985 and selected as the number one reissue for 2015 by the Wire. For more info go to: .Īwards include: The Gerbode Foundation Special Award in the Arts, Guggenheim Fellowship, Music Composition Foundation for Contemporary Arts “Grants to Artists” Award DAAD “Artists-In-Berlin Program” residency and Japan-US Friendship Commission/NEA “Creative Artist Exchange Fellowship for Japan”. The enveloping nature of the rich acoustic tones produced by The Long String Instrument evokes a sensation of being inside of a musical instrument. This project encompasses the study of Just Intonation tuning theory, a compositional practice centered on string harmonics, the development of a tablature graphic notation system, and musical instrument design and fabrication.
Ellen Fullman has been developing the Long String Instrument, an installation of dozens of wires fifty feet or more in length since the early 1980s.
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